Razors cut lines. You are the reason I can’t be me. Why can’t you believe that we can be better? Evolve beyond history, beyond toxic norms and bad behaviour? Where is your empathy not for battle lines but for human beings? You are the reason the world will die. Razors cut lines. We are all given ultimate power yet so many of us take that from others not realising it doesn’t make us any stronger. This is not new and it is not impossible to grasp. Tangible and evident in the everyday. Razors cut lines. No one is saying that you are wrong and that you are evil simply by existing. However by actively harming people you are putting yourself in the very box you don’t want to be in and if you keep behaving as you are you will be buried in it. Bricks that stand in the way of change are simply thrown aside. Razors cut lines. Your pedestal is brittle and precarious and I hope for your sake and mine that this platform you shout down from does not have the permanence we believe it has. Realise you can come down from there before you fall. This life is a choice and you can be better. You are the reason the world will die but you can also be the reason it survives. Razors cut lines.
Live your best Pre-Life!
Once a day for a randomly assigned minute you get to see your future. This is what we guarantee, this is what we promise.
Sounds too good to be true right? Not with ChronoCorp’s new Pre-Life implant.
Pre-Life what now?
Once a day an alert from the future gets sent straight to your mind. Utilising new Time Loop technology we take a picture of whatever your future self can see in front of them and send it back in time for your viewing pleasure. We call them Pre-Pics.
You get a full minute to see what you’ll be seeing in one, five, a hundred years. The potential of Pre-Pics is endless.
Imagine, seeing your children that don’t exist yet, countries you haven’t visited yet, food you haven’t eaten yet. These are all experiences and sights you can experience and see right now.
Hold on, what is this implant?
The Sequential Memory Image Line Enhancer or S.M.I.L.E. is the latest and greatest piece of time technology ChronoCorp has yet to present on a commercial scale.
It is a small expandable antenna that we insert in the base of your skull through a painless, simple and free procedure. It is calibrated and unique to your DNA and only picks up information beamed to it from your identical implant in the future. Think of it as a television that only picks up channels that are about you.
Transparency and honesty are key to our ChronoCorp ethos. Be sure to read the terms and conditions of each product before determining their suitability.
Alright but surely that’s going to be expensive?
Not at all! Here at ChronoCorp we believe everyone should be able to see through time. We’ve made it so the implant and installation of the implant is free* with no extra costs in store.
*In-app purchases mandatory.
This sounds incredible! Where do I sign up?
Send us a vial of your preferred bodily fluid and a comprehensive list of your family and friends (including social security numbers) and we’ll contact you in the next three business days if you are an eligible candidate.
Why are all my Pre-Pics blurry?
If the implant is not calibrated properly you may receive blurry images from the future. Please read the troubleshooting section of our instruction manual or contact your closest service professional if this doesn’t resolve itself.
I started getting headaches behind my ear when I first installed my Pre-Life implant. Is this normal?
Yes this is perfectly normal. Most subjects will experience side effects based around their implants including but not limited to:
⁃ Headaches (mild)
⁃ Headaches (extreme)
⁃ Hair loss
⁃ Itchy and irritated skin
⁃ A sense of isolation and inconsolable loss
What happened if I don’t receive an image?
This means one of either two things. In the future you have ceased to exist or in the future you have removed your implant. Customers should note that improper removal of implant will result in a fatal solution.
Do the implant come in different colours?
They certainly do! As well as your standard primary colours we are proud to announce our new metallic range as well as our collaboration with the Democratic Republic of Disney to bring you a whole new way to express yourself.
Live your best life with Pre-Life!
Martha turned the wine glass on the table then stood back and frowned. She then leant back and turned it back to its original position before smiling and stepping to the next place setting. The sound of her shoes against the floorboards echoed through the room.
The house was quiet, empty and waiting.
After checking each glass Martha stood back and took in her handiwork. The table was square, wooden and simple and Martha had set it meticulously. Every element before her was arranged by a formula only known to her. Chairs ordered, plates stacked, candles placed. Cutlery lay parallel to their neighbours and sparkled under the lighting of the carefully dimmed bulbs above them. Flowers twisted and curled in the most particular way and together it surrounded a curiously empty centre. A horseshoe shaped hole that ended on one side of the table where there were no plates, cutlery or chairs at all. It was purposeful and calculated.
Martha looked up at a clock on the wall. Archaic and ugly the clock stood out against the elegance of Martha’s modern place setting. Gold around its edge was faded and rusting and scrawling symbols of some unknown language had been cut into its face. The clock hands were bent and still and had not moved for centuries.
Martha looked up at the clock and nodded to no one. They would be here soon.
There was a tap at the window.
Martha turned and saw no one in the darkness outside. Her own reflection stared back and watched her as she exhaled then turned back to the table. Her reflection did not turn with her.
There was a tap at the window.
Martha whipped around, facing herself. Her reflection smiled at her, a smile that Martha did not echo.
Martha tilted her head.
Her reflection did not.
And then its smile grew wider.
The edges of the reflection’s lips stretched further and further up its cheeks in a way that flesh should not allow. Martha, unchanged, watched as her face split in half. The eyes of her reflection rolled back and turned red.
Now Martha smiled. They were here.
Martha opened the windows of the room and beamed as her guests crawled inside. Pale figures, skeletal and hairless, slid headfirst into the room. Their long and bony limbs twisted around each other as they fell forward, so eager to get inside and take their place at the table. When they stood upright they loomed over Martha and had to bend their necks to stop their heads from scraping against the ceiling.
Once settled they turned to their host. Martha smiled at each guest before leaning back against the table and carefully laying herself in the centre of the congregation. The hole in the setting was filled.
The figures stood silently, their skinny chests rising and falling rapidly.
Martha nodded and her guests sat down.
A ticking began from the clock on the wall and Martha’s guests started to feed.
The tiny man that lives in my chest is breathing louder.
His lungs swell and ribcage expands and with each breath instead of retreating his body continues to grow. He sits curled, his spine arched and face unseen and with every inhale I feel my bones creak. You stand above me, watching me from the ceiling. Glaring and spinning as the room spins with you, one eye is fire, the other a ticking clock.
The clock strikes one.
You scream at me with a mouth invisible. From screens taped to my hands, pasted on every desk and available wall space you scream at me. Miles away, you remain in my view and in my head. Frightened by your screams the man in my chest breathes heavier and heavier.
I watch my skin stretch and distort. Like bubble gum on the pavement, like cling film torn on a serrated edge, my skin is changing. The colour becomes pale in the spots that are thinnest and scars once thick and healed become pink and splitting. I am breaking.
The clock strikes two.
You are everybody that isn’t me. Everybody that hates me. You are the news in my feed, the looks on the train, the scorned lover that believes me dirt. You are strong and I am weak. The man in my chest cannot withstand your war and my flesh and blood cannot contain him.
In my body the second room that is the housing that holds my heart and lungs aches. Walls are cracking and foundations below are receding. I want to open the door. I need space so the man can expand without hindrance but the key I have been given does not fit the lock. The man does not heed the cries of my insides as they are crushed.
The clock strikes three.
My stomach bursts as the man breathes in once more. I want to stop him. I need to stop him. With every message and hint of you the man breathes in and I am terrified he will not stop. Please stop screaming at me. I can be better. I can be good. But I need you to stop. I want this to stop and you want this and maybe you want him.
When he emerges maybe I will be replaced. As he stands in my stomach, my body twisted and broken underneath him like the shell of an egg, maybe he will step forward and become me. Be the me you always wanted and maybe finally I will be better.
I want it to be over.
The clock strikes four.
Into the mirror of his mother’s downstairs bathroom Peter stared. Susan stared right back. Peter on one side of aluminium, glass and paint, and Susan reflected perfectly back on the other. They stared,
at the pimple pulsing in the centre of Peter’s forehead.
Peter raised two hands, shaking as he placed a finger on either side of the thudding skin spot. Susan watched, her arms pressed tight on either side of her body. Her hands are fists and her fingers are cramping.
Peter shuts his eyes,
Pressure builds from the base of the spot, forcing pus and blood to the surface of the skin. For a moment the thin tissue holding Peter’s face together remains strong. Peter’s grip tightens and his skin relents.
Blood, pus, and oil tears through his forehead, bursting outwards into the air. In one solid line the grotesque rainbow arcs from Peter’s face and towards the mirror. When hitting surface, instead of splattering as physics would allow, the mess continues through the mirror. Through wall, through reality, until coming to rest.
On Susan’s top lip.
Susan’s lips part and she breathes out. Her lungs flutter and she shuts her eyes. Her tongue snakes from her mouth, pushing upwards and meeting the blood, pus and oil. She runs her tongue up from one side of her mouth, to the other, then back again. Her tongue returns to her mouth and her eyes open.
The ragged hole left in Peter’s head is expanding. Red raw edges and black centre are growing. Soon the wound goes from being just the centre of Peter’s forehead to his entire forehead. The wound becomes eyes, becomes cheeks, becomes mouth. Soon Peter’s face is all but gone, replaced with a hole, still dripping from the edge with yellow and red and in the centre black. Impossibly deep.
Red lines spin from the outside of Peter’s head inwards to the black, becoming a spinning sinking spiral that disappears into nothing. Susan’s eyes roll back in her head and her feet leave the ground. Behind the mirror Susan begins to float forward.
Susan’s body moves through the air as if weightless and when she too meets glass she does not stop. Instead she continues on as if there was nothing there at all. With no resistance or signs of fear Susan flies head first into the hole that was once Peter’s head.
Susan is consumed.
After she disappears into darkness the hole seals itself shut. Peter’s face does not return, replaced now with a solid blank wall of flesh. The mirror reflects nothing and for a moment
there is silence.
Peter’s body twists. An arm jerks and there is a snap as ribs break. Peter’s shoulders convulse, his spin arcs backwards and the sound of fists against meat thumps from inside his stomach. Peter’s body falls.
A hand grips basin
and pulls itself up.
Into the mirror of Peter’s mother’s downstairs bathroom Susan stared. Peter stared right back.
Music plays out of the car speakers, crackly and sweet. I like this song. Dad ripped this to a CD for me when I asked him to. Mum opens the driver’s door and sits back down in the car, switching off the radio. She hands me a Cornetto and I curl my lip.
“This is mint.”
“It’s all they had.”
“I hate mint.”
She sighs then leans back in her chair, placing her own ice-cream against her cheek. There’s a bruise there the same colour as my favourite jacket. I’m bored.
“I want to go outside.”
“I want to go for a swim.”
“I said no.”
I sigh as loud as I can then lean forward, resting my elbows on the dash. I can see in front of us where the car park ends and the sand continues before giving way to sea. It’s so dark out there. The sea and the sky are the same colour and all I can see is black. I yawn.
“Can we go home?”
“Not right now.”
“Not for a while. We’re going to stay at Aunty Grace’s.”
“That’s ages away.”
“I need you to be good for me okay?”
“I want to go home.”
Mum turns the radio back on.
“Try to get some sleep.”
She shuts her eyes and pulls her jacket around her shoulders. The radio is quiet and behind it I can hear waves crashing. A wind blows and makes the car shake. Suddenly I want to turn the radio up a little louder.
A woman is singing a song I recognise. One of the old songs my parents would listen to before they stopped listening to songs. I sing to it under my breath and unwrap my ice-cream.
Mint is sticky on my fingers and mum is snoring when her phone rings. It’s dad so I answer it.
“Where’s your mum?”
Mum stirs. I watch her eyes open.
“Tell me where you are sweetheart.”
“We’re at the bea-”
I’m pushed back as mum leaps across the car. Her shoulder knocks my head against the side window and I yelp as she rips the phone from my grip. She throws it to the backseat then turns to me with eyes red.
“What did you do? What did you say?”
I’m holding the back of my head. It hurts and the pain is pushing against the front of my face. I’m not listening. I’m crying. Quiet at first and now louder. I screw my eyes shut and hope for everything to stop.
I recoil as arms curl around my middle but relax when they pull me in tight. Hands go up my neck and cradle the back of my head. I let my face fall into mum’s chest.
“I’m sorry baby.”
“I want to go home.”
Hands stroke my hair. The radio is playing a song I don’t know and behind it I can hear waves rising and falling.
It was time. Finally.
Shaking hands grip my bicep and without looking up from my phone I pull my arm away. My gum has lost its flavour which sucks.
“This sucks.” I say.
His hands move from my arm to my waist, pulling tight. The feather tucked in his hair tickles my nose and I try not to sneeze. My chest feels damp and it’s now I realise he’s crying. I put my phone back in my pocket and pat his head.
“I’ll miss you.”
“It’s only a month.”
He pulls his head from my chest but leaves his arm around my waist. I sneak my phone back out of my pocket and pretend I can’t hear his sniffling. A mechanical voice plays from speakers above us.
“Unattended baggage will be incinerated.”
Sweaty fingers slip through mine and stick there like butter on toast. I distract myself with the news. Some politician has been filmed rubbing his wang against Uluru and he looks furious when a reporter asks if it’s because he’s a bigot. He bemoans that there’s no decency left in the world and I’m poked with the pointy end of the feather.
“I want you to take this. For good fortune.”
“It looks diseased.”
“Just take it.”
I sigh and shove it in my shirt pocket. Two pilots walk by in jackets with gold trim and matching flamboyant chains. Their company logo is emblazoned on each of their foreheads.
When they’re across the gangway and inside the plane a voice calls passengers forward for boarding. He’s crying again and before I can stop him he kisses me. I keep perfectly still until he pulls away.
He hesitates before leaving to join the queue. I smile thinly and wave hoping he can take a hint. Instead he reaches up to his left ear, shuts his eyes and grips his earlobe. He pulls and without resistance his ear comes off in his fist.
Blood spurts from the side of his head, splashing a lady in the face as she runs past. She doesn’t stop.
With red stained hands he offers me his ear.
I roll my eyes. He’s always doing stuff like this. I snatch the ear from his hand and mumble thanks.
“So we can talk.”
“Because it’s my ear.”
“I get it.”
He smiles and I wave. This time he understands because at last he walks away. I watch him stumble down the ramp to the gangway, looking over his shoulder back at me. Blood pours from his skull.
I wait until he is inside the plane and out of sight before spitting out my gum, wrapping it in his bloody ear and throwing both straight into the trash. I take the feather out of my shirt pocket. Instead of doing the same I roll it between my fingers, watching it twist in the air. I put it back.
With headphones in and no music playing, I make my exit.